IN-SIGHT
Ejin Sha
IN-SIGHT
Ejin Sha
IN-SIGHT — is an elicit interview series with a bold departure from conventional journalism, with subjects drawn from the world of art, design and fashion presenting a novel perspective through a deep exploration of the subject's thoughts, emotions and perspectives.
Rasa Rahsia by EJinSha, 2002.
Graphic designer, Ejin Sha now runs a an independent design studio of her own. Having strong endearment for visual metaphors, her practices transcends disciplines between art, design, architecture and literature.
Ejin’s work encompasses visual identities, art direction, publications, exhibitions and digital design — helping brands, individuals and institutions to communicate their narrative through visual language.
Rasa Rahsia by EJinSha, 2002.
Graphic designer, Ejin Sha now runs a an independent design studio of her own. Having strong endearment for visual metaphors, her practices transcends disciplines between art, design, architecture and literature.
I don’t think there is a need to control how your work is perceived. What is more important is people have the freedom to interpret and have their opinion on things.
(04:06)
Graphic designer, Ejin Sha now runs a an independent design studio of her own. Having strong endearment for visual metaphors, her practices transcends disciplines between art, design, architecture and literature.
Ejin’s work encompasses visual identities, art direction, publications, exhibitions and digital design — helping brands, individuals and institutions to communicate their narrative through visual language.
Graphic designer, Ejin Sha now runs a an independent design studio of her own. Having strong endearment for visual metaphors, her practices transcends disciplines between art, design, architecture and literature. Ejin’s work encompasses visual identities, art direction, publications, exhibitions and digital design — helping brands, individuals and institutions to communicate their narrative through visual language.
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Rasa Rahsia by EJinSha, 2002.
Graphic designer, Ejin Sha now runs a an independent design studio of her own. Having strong endearment for visual metaphors, her practices transcends disciplines between art, design, architecture and literature.
Ejin’s work encompasses visual identities, art direction, publications, exhibitions and digital design — helping brands, individuals and institutions to communicate their narrative through visual language.
We can try to not be someone who is already there.
As a photographer, as a designer, I think we must be brave enoughto make our own path and see where we’ll end up at.
(09:43)
Rasa Rahsia by EJinSha, 2002.
Graphic designer, Ejin Sha now runs a an independent design studio of her own. Having strong endearment for visual metaphors, her practices transcends disciplines between art, design, architecture and literature.
Ejin’s work encompasses visual identities, art direction, publications, exhibitions and digital design — helping brands, individuals and institutions to communicate their narrative through visual language.
We can try to not be someone who is already there.
As a photographer, as a designer, I think we must be brave enoughto make our own path and see where we’ll end up at.
(09:43)
Rasa Rahsia by EJinSha, 2002.
Graphic designer, Ejin Sha now runs a an independent design studio of her own. Having strong endearment for visual metaphors, her practices transcends disciplines between art, design, architecture and literature.
I don’t think there is a need to control how your work is perceived. What is more important is people have the freedom to interpret and have their opinion on things.
(04:06)
Rasa Rahsia by EJinSha, 2002.
Graphic designer, Ejin Sha now runs a an independent design studio of her own. Having strong endearment for visual metaphors, her practices transcends disciplines between art, design, architecture and literature.
I don’t think there is a need to control how your work is perceived. What is more important is people have the freedom to interpret and have their opinion on things.
(04:06)